Method as Identity: Manufacturing Distance in the Academic Study of Religion, by Christopher M. Driscoll and Monica R. Miller is here, at last. Dr. Monica R. Miller and I have worked on this monograph for the last four years, so we’re thrilled to see it in our hands. And your hands, too. Admittedly, the price is a bit high for students, and well, most scholars, too. But that can quickly be addressed if everyone asks their institutional library to purchase a hard copy of the book now. Then, in about a year’s time, a paperback will be released.
On June 13, 2017, I delivered a bit of new work to the folks at the Forschungsinstitut für Philosophie Hannover (FIPH), where I've been a fellow for the 2016-2017 academic year. Below is the abstract for the talk, "On the Occasion of Joseph Conrad's Death: Anti-Heroes and Negative Dialectics in the Western Imagination, Still." The talk turns to some interesting data from Conrad, Ernest Hemingway, T. S. Eliot, Ford Madox Ford (and others) to think about Conrad's life and death as an allegory for contemporary anxieties surrounding the death or collapse of the West. Take a look here at shadesofwhite.org or at the FIPH Vimeo page (which has a lot of material you might find interesting).
“You will ask: Why death? Why not some alternative? Flight or prison? Well: prison would be an unendurable travelling through Time, flight an equally unendurable travelling through Time with Space added. Both these things are familiar: Death alone, in spite of all the experience that humanity has had of Death, is the utterly unfamiliar.” -Joseph Conrad
English Modern writer Joseph Conrad is a spectre, neither living nor dead, but a perpetual haunting for westerners in the form of his literary legacy and the anti-heroic stories he wrote, which force readers into a confrontation with the banality and smugness of western arrogance. By this reading, Conrad also serves as an analogy for western notions of loss, melancholy, and (cultural) death, writ large, today. At once alive yet under seeming threat from an “other” that over time has been rendered as “all” others, westerners – whoever we may be – might find wisdom in lamenting the death of Conrad. This lecture turns to lesser known works of Conrad just before his death (in 1924), along with fellow authors’ thoughts on Conrad’s death, to explore the relationship of anti-heroes, negative identities, and their god of death.
Thanks for taking a look!